The underlying motif of the Iliad, if viewed through a psychoanalytic prism, is the motif of anger. Me(n)tal fences is our set design as well as extended dramaturgic solution, our attempt to fence in this desire for revenge. Even the digressions, comparisons and repetitions - means of slowing down the action - remained within the confines of this fence. The fence can, in a certain way, be viewed as a character in itself. The fence is a comment that everything has its limit, at times fragile and sometimes sturdy, but always established somewhere.

The play was performed in Hall F22 of the Academy of Dramatic Arts in Zagreb. The set design comprises metal construction fences that form a cage within / outside / on which the dramatic action takes place. The set design ceases to be the backdrop for the action, becoming the action itself.